John E. Murdoch Essay Prize

The John E. Murdoch Prize is awarded annually for an original graduate student essay examining ancient or medieval ideas in science, mathematics, or natural philosophy. Submissions must be based on primary sources written in Greek, Latin, Arabic, Persian, or Hebrew. Eligible essays may be part of a dissertation in progress or a revised seminar paper, provided they are original works worthy of publication in a peer-reviewed journal. Essays already accepted for publication are ineligible. The deadline to submit a nomination is June 1, 2025.

Eligibility: Graduate students from any university or institute of technology, both within and outside the United States, are eligible to apply. Proof of good standing in a graduate program during the year of the award must accompany each submission. Accepted forms of proof include a dated school ID, a transcript, or a letter of support from an adviser on official school letterhead. 

Award Amount: Thanks to a generous gift from Monika Asztalos Murdoch, the prize consists of an award of US$3,000. If submissions of equal quality are received, preference will be given to those that include a research travel proposal or a plan for acquiring specialized skills such as advanced language studies or paleography, which are integral to work in these fields. 

https://hssonline.org/page/murdoch 

Huntington Library Quarterly (HLQ)

The Huntington Library Quarterly (HLQ) is a peer-reviewed journal featuring original research and new perspectives on the early modern period, broadly defined (c. 1400–1800). Its content reflects an early modern world that was connected and cosmopolitan, with diverse communities and cultures increasingly linked by the circulation of people, ideas, social practices, and material objects in ways that transcend disciplinary and geographic boundaries. We invite submissions that draw on the sources, methods, and theoretical frameworks of literature, art, history, science, medicine, material culture, music, performance, and critical cultural studies, with a preference for scholarship that is broadly legible across disciplines.

HLQ’s historical focus on Britain and its American colonies has been dramatically expanded to embrace broader and more diverse fields of inquiry, including scholarship rooted in continental Europe, the African Diaspora, and the Indigenous Americas, as well as their intersections with Mediterranean, Pacific, and Indian Ocean worlds.

HLQ invites article submissions for two featured issues that will mark the journal’s new direction. Submissions received before 15 January 2025 will be evaluated for the first of these issues, to be published in September 2025. Submissions received before 15 March 2025 will be evaluated for the second of these issues, to be published in December 2025.

https://www.pennpress.org/journals/journal/huntington-library-quarterly/

The Sensorial Lives of the Nonhuman in Medieval and Early Modern English Literatures (1300-1700)

International Conference at the Universities of Bern and Zurich, Switzerland

09‒11 September 2025

In the wake of new materialist theories, scholarship in sensation studies has paid increasing attention to the ways in which the nonhuman – animals, plants, objects – is entangled with human sensation. This conference explores the sensorial lives of the non-human itself as it is mediated in medieval and early modern literatures. We ask how literary as well as non-literary texts from various genres, ranging from the thirteenth to the seventeenth centuries, evoke and engage with forms of nonhuman sensation. What sensorial affordances do texts ascribe to the nonhuman, and what perceptual experiences do they imagine? In what ways do they shape or transform human sensory perceptions by attributing sensorial capacities to the nonhuman entities inhabiting the natural and supernatural worlds? How does the idea of a shared sensorial world stabilize or destabilize categories between the human and nonhuman?

We invite papers which consider the following sensorial encounters between the nonhuman and the human in medieval and/or early modern texts:

• Objects
  • What kind of objects are presented as having sensorial lives in medieval and early modern texts?
  • What are their sensorial affordances, and how do they cue human perception?
  • To what extent are objects presented as co-agents in religious, social, and cultural practices? (e.g. food culture, love-tokens, liturgical and devotional objects, mnemonic objects)
• Animals
  • How do medieval and renaissance literatures portray animals as sensorial creatures? Which of the senses are predominantly connected to animals and how?
  • What are the similarities and differences between animal and human sensations? How is human-animal communication facilitated by shared sensorial perception?
  • How does the concept of superior sensation in animals shape human-animal encounters? Which animals were understood to possess outstanding sensory acuity, and how do such sensory superpowers in animals shape human-animal encounters?
  • How are animals depicted as capable of suffering, and how do their sensorial lives invite empathy with the nonhuman?
• The Natural World
  • How do medieval and renaissance literatures engage with the sensory affordances of plants and minerals in poetic and practical texts (e.g. recipe books, medical manuals)?
  • What poetic or mythological model for hybrids of the human and nonhuman or metamorphoses from the human into the nonhuman existed in the medieval and early modern periods? How were such hybrid (trans)formations articulated in the register of sensory perception?
  • How do medieval and early modern texts of various genres depict human encounters with a natural world that is imagined as agential? How do dramatic weather conditions, floods, and earthquakes affect humans and nonhumans in these texts?
• The Supernatural
  • Which aspects of the supernatural are characterized as being (in)accessible to human perception, and to what effect?
  • How do medieval and early modern literary texts engage the senses in their creation of supernatural entities? Which sensory experiences are evoked in representations of the supernatural?
  • How does the attribution of sensory qualities shape medieval and Renaissance discourses of the divine, the sacred, the marvelous, or the demonic?

We are planning to publish a volume of essays on the topic of the conference.

Funding may be available for early career researchers (tbc).

Papers should be 25-30 minutes in length. We invite abstracts of 250 words and a short bio note by 1 March 2025. Please send them to both conference organizers: karremann@es.uzh.ch and annette.kern-staehler@unibe.ch.